Five Very Popular Visual Effects Inside Premiere Pro ( Easy To Make )

we'll create five very popular visual effects inside Premiere Pro that are so easy to make that everytrick is explained within a minute. So, let's get into it!

 The first one is the car crash. Film yoursubject crossing an empty street, now when you reachthe middle, make a movement like it seemslike a car is hitting you. Then also film a real car drivingthrough on that same spot. And you wanna film everythingfrom a tripod, because in Premiere Pro we'llblend the two clips together. Put your subject shot on topof the riding car, with that clip selected headover to the Opacity property and click on the Pen tool to drawa mask around your subject. Then enable the animationfor the mask path and change yourmask over time. Now, when the car approaches, you of course wanna make sure thatthe mask will not come over the car. When the car hits the subject, you wanna change your mask so that it wraps perfectly around the subject.  

At this point, you might also wannafollow him for a couple of extra frames. Then add a cutinto your clip, right-click on that right partand choose Frame Hold. Then elect the two parts, right-clickand nest or group them together. On that nested sequence I thenadd the Transform effect, from which I can animatethe position of that clip to make it follow thehood of the car. And, as a final touch, I'm also disablingto use the composition's shutter angle and set one of my own to geta natural motion blur.

[Quiet street ambience sound] [Car crashing sound] On to the second visual effect! And that is a set extension. Again, film from a tripodto make it yourself easy. And by the way, if you stayuntil the end, I have a super simple solution to takethe edge off those static shots. But for now, justfilm something. If you have a subjectin your shot, then also make sure that he or shefits completely within the floor. If Yannick here would stand upand cross the horizon, then we need to key him out witha green-screen or something like that. In Premiere Pro you can alreadyput your shot on the bottom and top of there I'm goingto add some stock clips, which you can findall over the internet.

 Now, I'm using Videoblocks,which is a huge library full of stock clips, b-roll, After Effectstemplates and so much more. I can download unlimitedfiles for a single price, and I also have the rights to use the clipsin any personal or commercial project. Videoblocks is one of the mainsponsors here on the channel, we've been working togetherfor a long time and absolutely lovetheir services. You can find out more by clicking thefirst link in the description below. So, place your downloaded clipon top of your shot and draw a mask around it. Usually you can do this pretty roughand just feather the mask to make it blend better.

 Then scale and repositionthat layer so that it takes a naturalshape within your scene. And you can add some moreof these stock clips to it and design a set ofyour own choice. Now because you're mixingdifferent clips together, you might need to color correct them to makethem match better with the environment. And you can use Lumetri for that. And what I also do is decreasethe sharpness a tiny bit for objects far in the distance. [Sound of wind blowing in the background] Next up is a teleportation effect! And again, film your subjectfrom a tripod. You can make a teleportation move ordo a 360° flip on a skateboard.

 Now take your camerato another location and try to retain the same camera heightand distance towards your subject to make the transitionwork best. You can do again your teleportationmove here or that same flip trick, but important is that you do this onthe same spot as you filmed before. In between the cut, youalready wanna make sure that your movementseamlessly matches. Now since time andspace are bent, we'll visualize that by addinga distortion to the transition. To make it yourself easy, I'm addingan adjustment layer over the cut. On that adjustment layer I applythe Turbulent Displace effect and animate the amount goingfrom 0 to 50 on the cut and then back to 0. To add some wiggle into it,also animate the evolution from 0° to 360° overthe entire effect. [Tele-transportationsound effect] And for those Harry Potter fans: Lumosis actually a quite simple spell. Here's how to do it. Just filmyour subject in a dark space, and when your actor says 'Lumos',a dedicated person turns on a light above him. Inside Premiere Pro, you addthe Lens Flare effect to the clip, enable the animationfor Flare Center, and the idea now is thatyou make the flare position follow the end-pointof the wand.

 And, to make it yourself easier, youcould increase the blending mode to have a better visualon the cross air. Go a frame forward, adjust the point,go again a frame forward and so on. It takes some time, but theresults look pretty cool. And by the way, from the LensType drop down menu, you can chose how you wannahave your light point look like. [Eerie ambience sound] -Lumos! And then finally isa fake gun shot. Film something where you're either holdinga gun or pretending to hold one and of course fire it. We'll now need a muzzle flash,which comes out of a real gun.

 Again, you can search theweb for one of those clips. In Premiere Pro you thenwanna place that muzzle clip on top of your shot, head over to the opacity and changeits blending mode to Linear Dodge. Then scale and positionthat muzzle effect near the loopof the gun. And that's it! You can now do the samething with the victim, just here you wanna havea blood spatter to it. Again, you can find themall over the web.

 Only here, we change theblending mode to Screen. Because blood doesn't glowlike a fire flash. Then just reposition andscale it to the right spot. Now, since these muzzles or splattersjust take up one or two frames, you don't need to track themwith the movement of the subject. [Jordy Whistles] [Gunshot sound] [Jordy continues whistling] And those where the five super simplevisual effects inside Premiere Pro. 

But like I mentioned before,we actually have a... ...free handheld preset packon our website, which you can find a link tosomewhere in the description below and that will take the edgeoff those static shots. There's a dedicated tutorialwithin that page on how to use that effect. Thank you all so much for watching,make sure to subscribe, and, of course, join the notificationsquad to see us twice a week! But most importantly, stay creative! [Jordy whistles] -Ha, ha, ha! -Ha, ha, ha! -Let's never do that again!Never! [Jordy whistles the cinecom'sintro melody]